Tuesday, 31 January 2012

[C908.Ebook] Free Ebook Popular Music Genres: An Introduction, by Stuart Borthwick, Ron Moy

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Popular Music Genres: An Introduction, by Stuart Borthwick, Ron Moy

An accessible introduction to the study of popular music, this book takes a schematic approach to a range of popular music genres, and examines them in terms of their antecedents, histories, visual aesthetics, and sociopolitical contexts. Within this interdisciplinary and genre-based focus, readers will gain insights into the relationships between popular music, cultural history, economics, politics, iconography, production techniques, technology, marketing, and musical structure.

  • Sales Rank: #2325918 in Books
  • Published on: 2004-11-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .56" w x 6.20" l, .83 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Stuart Borthwick and Ron Moy are both lecturers at Liverpool's John Moores University. For the past ten years, they have devoted themselves to the delivery of a range of undergraduate courses, and now run a degree program in Popular Music Studies.

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0 of 0 people found the following review helpful.
An ok book, but not worth $1000, no where near it.
By Brannon
I took this class as an elective, and I love music, and I knew the professor teaching the class, which by the way is a great teacher. Anyway, the book is ok, it has its flaws, but it has its strengths also. A lot of the info is questionable, and some is spot on. I had to get it for the class, so, now its for sale. But, hey, They are asking $999.00 plus shipping for this book? Are you freaking kidding me? $999 for the paperback, and $80-$90 for the hardback. What makes the paperback so special? If you have to have this book, buy the hardback for goodness sakes for $90. $1000 for this book is absurd. (Actually $90 is absurd) but oh well, that's the price of college books. A total rip off if you ask me, but nobody asked me, so I will shut up now. Just saying.

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Saturday, 28 January 2012

[Y505.Ebook] Ebook Download An Introduction to the Finite Element Method, by Wahyu Kuntjoro

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An Introduction to the Finite Element Method, by Wahyu Kuntjoro

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An Introduction to the Finite Element Method, by Wahyu Kuntjoro

"An Introduction to the Finite Element Method" is organized and written in such a way that students should not find it difficult to understand the concepts and applications discussed in the book. Rigorous mathematical treatments and derivations are kept to a minimum. A consistent approach of finite element formulation and solution is used for every domain analysis described in the book. Plenty of simple examples are given to show students how to solve related problems. The exercises at the end of some chapters are within students' capability and can be done without using a computer. Although this book is intended primarily for undergraduate students, it is also suitable for the early part of finite element courses in postgraduate programme. The basic and conceptual approaches which are used also make this book appropriate for practising engineers who want to know and learn the finite element method.

  • Sales Rank: #5992597 in Books
  • Published on: 2005-01-03
  • Released on: 2005-01-03
  • Original language: English
  • Dimensions: 9.29" h x .55" w x 7.40" l, .90 pounds
  • Binding: Paperback
  • 256 pages

About the Author
The author of this book, Dr. Wahyu Kuntjoro, works under contract as an Associate Professor at Universiti Teknologi MARA, Shah Alam, Malaysia, which he joined in 2000. Finite element is one of the subjects he teaches in the Faculty of Mechanical Engineering. He conducts research and does a lot of work in the design and analysis of lightweight structures as well as aircraft structural integrity. Dr. Wahyu Kuntjoro is also a lecturer at the Department of Aerospace Engineering, Bandung Institute of Technology, Indonesia.

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Monday, 23 January 2012

[S939.Ebook] PDF Download Rising Strong: How the Ability to Reset Transforms the Way We Live, Love, Parent, and Lead, by Bren� Brown

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Rising Strong: How the Ability to Reset Transforms the Way We Live, Love, Parent, and Lead, by Bren� Brown

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Rising Strong: How the Ability to Reset Transforms the Way We Live, Love, Parent, and Lead, by Bren� Brown

#1 NEW YORK TIMES BESTSELLER • The perfect graduation gift! When we deny our stories, they define us. When we own our stories, we get to write the ending.

Social scientist Brené Brown has ignited a global conversation on courage, vulnerability, shame, and worthiness. Her pioneering work uncovered a profound truth: Vulnerability—the willingness to show up and be seen with no guarantee of outcome—is the only path to more love, belonging, creativity, and joy. But living a brave life is not always easy: We are, inevitably, going to stumble and fall.

It is the rise from falling that Brown takes as her subject in Rising Strong. As a grounded theory researcher, Brown has listened as a range of people—from leaders in Fortune 500 companies and the military to artists, couples in long-term relationships, teachers, and parents—shared their stories of being brave, falling, and getting back up. She asked herself, What do these people with strong and loving relationships, leaders nurturing creativity, artists pushing innovation, and clergy walking with people through faith and mystery have in common? The answer was clear: They recognize the power of emotion and they’re not afraid to lean in to discomfort.

Walking into our stories of hurt can feel dangerous. But the process of regaining our footing in the midst of struggle is where our courage is tested and our values are forged. Our stories of struggle can be big ones, like the loss of a job or the end of a relationship, or smaller ones, like a conflict with a friend or colleague. Regardless of magnitude or circumstance, the rising strong process is the same: We reckon with our emotions and get curious about what we’re feeling; we rumble with our stories until we get to a place of truth; and we live this process, every day, until it becomes a practice and creates nothing short of a revolution in our lives. Rising strong after a fall is how we cultivate wholeheartedness. It’s the process, Brown writes, that teaches us the most about who we are.

ONE OF GREATER GOOD’S FAVORITE BOOKS OF THE YEAR

Praise for Rising Strong

“[Brené Brown’s] research and work have given us a new vocabulary, a way to talk with each other about the ideas and feelings and fears we’ve all had but haven’t quite known how to articulate. . . . Brené empowers us each to be a little more courageous.”—The Huffington Post

“With a fresh perspective that marries research and humor, Brown offers compassion while delivering thought-provoking ideas about relationships—with others and with oneself.”—Publishers Weekly

“It is inevitable—we will fall. We will fail. We will not know how to react or what to do. No matter how or when it happens, we will all have a choice—do we get up or not? Thankfully, Brené Brown is there with an outstretched arm to help us up.”—Simon Sinek, author of Start with Why and Leaders Eat Last

  • Sales Rank: #739 in Books
  • Brand: RANDOM HOUSE
  • Published on: 2017-04-04
  • Released on: 2017-04-04
  • Original language: English
  • Dimensions: 8.00" h x .70" w x 5.20" l,
  • Binding: Paperback
  • 352 pages
Features
  • RANDOM HOUSE

Amazon.com Review

An Amazon Best Book of August 2015: You may be someone who looks at Rising Strong and says, “oh, that’s not really for me….” Translation: I don’t read or need that self-help stuff, give me a good novel and go away. But Brené Brown isn’t a spiritual guru, or someone who’s risen from the ashes to tell us how to live our lives. She’s a researcher. And Rising Strong isn’t some feel-good-get-over-it regimen; it’s more investigative reporting on the common denominators of people who whole-heartedly get back up and go another round after getting their asses handed to them in big and small ways. In her straightforward Texan voice, Brown sets the table for us to get curious about life’s sticky moments and invites us to serve ourselves a plate of what she’s learned in over a decade of research. I don’t know about you, but I’m not trying to be famous or come up with a cure that will change the world, I just want to live happily and keep getting back in the arena whether I’ve been rocked on my heels, knocked to my knees, or gone face down in the dirt. For my money, seeing how I can do that better is worth reading about. – Seira Wilson

Review
“[Brené Brown’s] research and work have given us a new vocabulary, a way to talk with each other about the ideas and feelings and fears we’ve all had but haven’t quite known how to articulate. . . . Brené empowers us each to be a little more courageous.”—The Huffington Post
 
“With a fresh perspective that marries research and humor, Brown offers compassion while delivering thought-provoking ideas about relationships—with others and with oneself.”—Publishers Weekly 

“It is inevitable—we will fall. We will fail. We will not know how to react or what to do. No matter how or when it happens, we will all have a choice—do we get up or not? Thankfully, Brené Brown is there with an outstretched arm to help us up.”—Simon Sinek, author of Start with Why and Leaders Eat Last

About the Author
Brené Brown, PhD, LMSW, is a research professor at the University of Houston Graduate College of Social Work. She is the author of the #1 New York Times bestsellers Daring Greatly and The Gifts of Imperfection, and I Thought It Was Just Me (but it isn’t). She is the founder and CEO of The Daring Way, an organization that brings her work on vulnerability, courage, shame, and worthiness to organizations, schools, communities, and families. Her 2010 TEDx Houston talk, “The Power of Vulnerability,” is one of the top five most-viewed TED talks in the world. Brown lives in Houston, Texas, with her husband and two children.


From the Hardcover edition.

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339 of 360 people found the following review helpful.
A bold call to fall, get up, and try again
By dinglefest
This book definitely works as a standalone piece, but it's meant to build upon her prior works. As Brene shares in the first chapter, the progression of her works is that the first book, http://www.amazon.com/The-Gifts-Imperfection-Supposed-Embrace/dp/159285849X, has the message "Be you," while the next one, http://www.amazon.com/gp/product/1592408419/, is a call to "Be all in." This book? "Fall. Get up. Try again."

This isn't another book telling you it's okay with fail. No, the assumption is that you have failed or will do so in the not too distant future. What will you do when it's time to get back up? In the author's words, "my goal for this book is to slow down the falling and rising processes: to bring into our awareness all the choices that unfurl in front of us during those moments of discomfort and hurt, and to explore the consequences of those choices." In this book, she uses stories and research, but unlike previous books, many of the stories in this one are her own personal ones. That makes it feel a little less like a book and a little more like an encouraging yet tough-love conversation with a trusted friend or mentor.

Truth and Dare: An Introduction
This part of the book got me a little nervous, if I'm honest. It was here I realized that this book was all about drilling down deep into the most difficult and uncomfortable moments in our lives, getting honest, and holding ourselves accountable to move forward in the after. I wasn't sure I wanted in on all of that. It seemed hard and dirty and messy and, well, uncomfortable. For starters, she dives into the idea that failure is painful, poignantly pointing out that our celebration of redemption often skips over the real hurts that needed redemption in the first place. We're guilty of "gold-plating grit," she writes, as we make failure seem fashionable without acknowledging the inherent desperation, shame, and dismay. Then enters my favorite Brenéism from this book: "the [awesome] deficit." What we need - and lack - is "a critical mass of [awesome people] who are willing to dare, fall, feel their way through tough emotion, and rise again" instead of just glossing over the pain or stuffing it down deep or taking it out on other people. (The bracketed word above isn't what she wrote, but Amazon's review guidelines won't publish a review with the real word. It's bad plus a synonym for donkey.)

Chapter 1: The Physics of Vulnerability
Here, vulnerability is presented as courage rather than weakness. Just as I remember the laws of physics from high school, Brené offers a new twist: if we are brave enough often enough, we will fall. That's what the physics of vulnerability is. Being brave and falling changes us for the better, while the individual path can be isolating and the need to ask for help challenging. As she writes about our being wired for story, I couldn't help but think of two powerful books (both from a Christian perspective, FYI, in case that's not your thing): Nish Weiseth's http://www.amazon.com/Speak-Your-Story-Change-World/dp/0310338174/ and Annie Down's http://www.amazon.com/Lets-All-Be-Brave-Everything/dp/031033795X. The most powerful point from this chapter, though, is that comparative suffering is detrimental: hurt is hurt, and love is needed in response without ration.

Chapter 2: Civilization Stops at the Waterline
The title of this chapter comes from a Hunter S. Thompson quotes. But the waterline is also a call to a powerful story Brené uses to open this chapters, about her husband and a morning swim and a vulnerable conversation for both of them. Then she lays out a story-telling paradigm - borrowed from Pixar - to apply to our lives in how we deal with the conflict parts in our real-life stories. This is where the meat of the book emerges. The rising strong process is (1) the reckoning, as we walk into our story, (2) the rumble, as we own our story, and (3) the revolution as we transform how we live as a result of our story. That's how we can rise strong from our failures.

The next several chapters build on that process...

Chapter 3: Owning Our Stories
This is where Brene challenges us as readers to accept or turn down the invitation to own our stories, rather than minimizing, compartmentalizing, hiding, or editing them. Owning our stories also means we're not defined by them or denying them. They are ours. Then to do so, the three steps begin...

Chapter 4: The Reckoning
As we reckon our stories, Brené pushes readers to feel and recognize our emotions and then get curious enough about them to dig a little deeper. Doing so, she writes, keeps us from offloading our hurts in a variety of unproductive ways: lashing out our hurts, bouncing our hurts away as if they don't matter, numbing our hurts through one or more methods, stockpiling our hurts by keeping everything inside, or getting stuck in our hurt. In this chapter, she also offers amazing strategies for reckoning with emotion, and I know I'll botch them if I even attempt to summarize them.

Chapter 5: The Rumble
In this chapter, we reexamine our stories, diving deeper to mine for truths, including errors in our own first retelling of the failure tale.

Chapter 6: Sewer Rats and Scofflaws
This chapter takes the rumble a bit further with discussions of boundaries, integrity, and generosity.

Chapter 7: The Brave and the Brokenhearted
This chapter as a whole is too meaty to succinctly summarize in this review beyond the subtitle: "rumbling with expectations, disappointment, resentment, heartbreak, connection, grief, forgiveness, compassion, and empathy." On a personal note, my heart jumped and then sank and then fluttered when I got to this chapter. For reasons not relevant to this review, I'm finding myself to be the brave and brokenhearted this week, and it's hard. I saw the title and my heart jumped as I thought, This is the one for me, my current faceplant situation. Then I read the subtitle and my heart sank as I thought, But Brené isn't going to make this easy, because it isn't easy and I'm sure there aren't shortcuts, plus she's been telling me to feel and I don't really want to right now. Finally, my heart fluttered, knowing this was part of my rumbling. I needed to drive forward to rise strong.

Chapter 8: Easy Mark
This chapter continues to expand on the concept of the rumble - which makes sense, because Brené states in chapter 2 that the second day/stage/point is the most important in the process. In her reckoning-rumbling-revolution paradigm, then, it makes sense to dissect rumbling the most. This chapter's subtitle also describes much of the content: "rumbling with need, connection, judgment, self-worth, privilege, and asking for help."

Chapter 9: Composting Failure
In this chapter, Brené dives deeper once more into the rumble, this time with the subtitle: "rumbling with fear, shame, perfectionism, accountability, trust, failure, and regret."

Chapter 10: You Got To Dance With Them That Brung You
Yep, another dive deep chapter on rumbling, this time "rumbling with shame, identity, and nostalgia." This one had a lot of gut punch for me, and Brené - at the risk of looking like a brat - shared a vulnerable story that helped me get vulnerable with myself in return in much needed ways.

Chapter 11: The Revolution
The revolution is what comes after the rumbling. It's the act of rising strong, but it can't be done before all the prior work. Revolution is the act of intentionally choosing authenticity and worthiness as an act of resistance in this world. With this the last chapter, Brené closes it out with a poem by Nayyirah Waheed, ending with "we are rising strong."

This book is a bold call to fall, get up, and try again. May we all rise strong.

299 of 323 people found the following review helpful.
I'm a Fan, But This Book Missed the Mark
By AmazonCustomer
I have loved Brene Brown's books but this one didn't resonate. Too many personal anecdotes and examples that didn't apply. I got tired of her "cussing" and while I appreciate that she's proud of being from Texas, a list of why she's a Texan didn't apply to this book. I felt it was something that would have worked better on her blog. Brown's other personal examples of people around her "making up" things, her hatred of some poor woman she had to room with at a conference, and her drawn out story about a vulnerable moment with her husband seemed like a stretch she used to try and illustrate a point. They fell short.

The same is true for the "from the research" stories she told. They were long, drawn out, and overly forced to fit into her point. This PAINS ME to say this, because I have loved just about everything else she's done or written. In fact, I'd probably give this two stars if it wasn't her. I appreciate this effort but it really seemed like she didn't have enough material to make this book a helpful, practical reference. If you're looking to really "rise strong" and start again I would recommend Daring Greatly instead.

58 of 64 people found the following review helpful.
Very disappointing
By Amazon Customer
I love Brene Brown and bought the book with every intention to like it, but it is such a terrible concoction of random anecdotes that I find it almost impossible to make it to the finish line. She keeps talking about her "research" and data, but never gets to the meat of it. Very disappointing!

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[E102.Ebook] PDF Download How to Live with a Control Freak - Get your life back, by Barbara Baker

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How to Live with a Control Freak - Get your life back, by Barbara Baker

Do you live with a controlling partner? Someone who always wants to make the decisions, about where you go on holiday or what you spend on clothes? Someone who needs to know where you are or what you are doing? Or maybe you work with a control freak? Even though you've got the talent, this person takes all the limelight and can't let go enough to let you get on with your job. Control freaks come in all shapes and sizes. Often they happen to be the people we love. Your friends and family may say 'Why don't you just leave them?', but it's not always that simple, especially if you still love the person and have good times together. This book looks at how and why controlling patterns develop in relationships, and what you can do about it if you're in the middle of one. Topics include: why people become control freaks; what it's really like to live or work with one; understanding how a control freak ticks; how to live with a control freak - without losing yourself in the process; living with a controlling partner, boss, colleague or child; and, what to do if you're the control freak - a comprehensive self-help section

  • Sales Rank: #3740178 in Books
  • Brand: Brand: Sheldon Press
  • Published on: 2010-02-18
  • Released on: 2010-02-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .29" w x 5.43" l, .35 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

About the Author
Barbara Baker is a journalist specializing in health and self help issues, and is author of When Someone You Love has Depression, and Coping with Long-term Illness, both for Sheldon. She is a BACP accredited psychotherapist and is based in Truro, Cornwall.

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[L352.Ebook] PDF Ebook Grand Delusion: Stalin and the German Invasion of Russia, by Gabriel Gorodetsky

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Grand Delusion: Stalin and the German Invasion of Russia, by Gabriel Gorodetsky

This important book draws on vital new archival material to unravel the mystery of Hitler's invasion of Russia in 1941 and Stalin's enigmatic behavior on the eve of the attack. Gabriel Gorodetsky challenges the currently popular view that Stalin was about to invade Germany when Hitler made a preemptive strike. He argues instead that Stalin was actually negotiating for European peace, asserting that Stalin followed an unscrupulous Realpolitik that served well-defined geopolitical interests by seeking to redress the European balance of power. Gorodetsky substantiates his argument through the most thorough scrutiny ever of Soviet archives for the period, including the files of the Russian foreign ministry, the general staff, the security forces, and the entire range of military intelligence available to Stalin at the time. According to Gorodetsky, Stalin was eagerly anticipating a peace conference where various accords imposed on Russia would be revised. But the delusion of being able to dictate a new European order blinded him to the lurking German danger, and his erroneous diagnosis of the political scene-colored by his perennial suspicion of Great Britain-led him to misconstrue the evidence of his own and Britain's intelligence services. Gorodetsky highlights the sequence of military blunders that resulted from Stalin's determination to appease Germany-blunders that provide the key to understanding the calamity that befell Russia on 22 June 1941.

  • Sales Rank: #1001826 in Books
  • Color: Grey
  • Published on: 2001-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .97" w x 5.98" l, 1.44 pounds
  • Binding: Paperback
  • 384 pages

Review
"An excellent new history." -- Victorino Matus, American Spectator

"This literary sensation is an enthralling narrative and an outstanding historical investigation." -- Economist

"[A] fascinating and important book." -- Anthony Beevor, Daily Telegraph

About the Author
Gabriel Gorodetsky holds the Samuel Rubin Chair of Russian and East European History at Tel Aviv

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3 of 3 people found the following review helpful.
Excellent History
By Thomas Reiter
This is an excellent, well-written, well-sourced history of 1940-1941, prior to the German invasion of Russia. I can't add much to the description of the book in other reviews, so I'll just mention a couple of things about the book:

1) While it should be obvious from the topic of the book, this is not a military history per se (war had not broken out yet), but rather a diplomatic history. The fighting in France, Yugoslavia, Greece, etc. is covered briefly to provide context, but nothing more.

2) This book does not cover the signing of the Molotov-Ribbentrop Pact, only its aftermath.

3) While apparently this book was written in response to claims that the USSR was planning a pre-emptive attack in 1941, don't expect a point-by-point rebuttal as I've seen in other books; rather, the author lays out the facts (as he's been able to document them) and then simply concludes that there is no truth to the pre-emptive attack theories.

4) The author does an excellent job of describing the diplomatic moves/counter-moves/reactions during 1940-1941--the period was very tumultuous, with various annexations, invasions, wars, etc., each of which "reshuffled the deck" (in the author's words). Stalin's complacency after the Molotov-Ribbentrop Pact was shattered after the Germans' smashing victory in France, prompting Russian moves into the Baltics and Bessarabia, prompting German moves into Yugoslavia and Greece, etc.

5) The author also does an excellent job describing why Stalin trusted the Brits even less then he did Hitler, how various British maneuvers played into this distrust, and how it played into his (mis)calculations.

6) This book gives an excellent description of the intelligence received by Stalin--what he knew, when he knew it, how it was presented to him, and usually, why he didn't believe it. Very interesting...

5 of 6 people found the following review helpful.
In execution, a much better military history than most
By KCM
Strangely, contrary to direction one might expect, military histories of the 30s, 40s, and 50s, rather than becoming more "disciplined" from an American standpoint--insofar as they follow the expectations, rules, and requirements of profesional academia, particularly in the area of citation and presentation of evidence--seem to becoming less structured, less clearly cited, and more haphazard. Maybe I'm reading the wrong materials, or maybe I'm just overly pessimistic. In any case, Gorodetsky's work here, at least, is a much needed deviation from this unfortunate trend, based less on emotional appeals, attractive, even romantic notions and popular culture that seems more than a little pervasive in Second World War histories, particularly in the Eastern Front, and more on an extremely indepth, analytical view based on access to very numerous archives in, from what I've seen, multiple states.

I don't expect 'Grand Delusion' to serve as a rallying cry for any of the political "sides" concerning the Eastern Front--it's too rational, too deliberately methodical and expositional to do that, especially compared to its competition, it's language reserved and tempered by comparison. That could be a strike against Gorodetsky, but I personally don't think it detracts from it in its intended purpose. It does historical personalities little in the way of favors, but greatly interests the interested reader.

On a side note, I had a chance to speak with Dr. Gorodetsky about his book, very briefly--he mentioned the unfortunate fact that the designer for the book's cover cut off part of the photograph, removing part of the sign that would have otherwise indicated the German's proximity to Moscow (if memory serves correctly). Another case of a cover messed-up for aesthetics, I guess.

18 of 31 people found the following review helpful.
Solid Post-Cold War history
By Igor Biryukov
The Cold War gave birth to a myth that the Soviet Union was cunningly planning a strike against Germany in July 1941. As a result, some historians had been calling for justification of the invasion to Russia, which Nazi Germany started on June 22, 1941. The logic goes if Stalin was planning an aggression against Germany, Hitler had a right to a preemptive strike against Russia. The creators of the myth use a testimony of a defector from the Russian military intelligence by the name of V. Resun. Under a pen name "Suvorov" he wrote a book called "Icebreaker" where he presented a theory that Stalin in 1939-1941 was meticulously preparing a war against Germany. Therefore according to this theory Russia was an aggressor rather than the victim in 1941.
In "Grand Delusion" Israeli professor Gabriel Gorodetsky shows beyond reasonable doubt that Suvorov's arguments are ridiculous. He presents evidence that Stalin was not contemplating attack on Germany; but in fact was trying to avoid any confrontation with Germany while playing a compacted diplomatic game to limit Germany's political influence on the Balkans, particularly in Bulgaria and Yugoslavia. He shows Stalin's obsessions with the Turkish Straits and Bulgaria, which wasn't new, but was an old Imperial policy of Russia for many years. I was surprised to learn how much "tsarist" Stalin's foreign policy really was - there was very little in it related to the communist ideology or "class struggle" theory of Karl Marx.
The failure to understand Hitler's bellicose plans was a result of Stalin's misjudgment of power structure and decision-making process in Berlin. As an extremely suspicious person, Stalin mistrusted everyone, but looks like he believed misleading information presented to him by opponents of Hitler's policy such as Count Werner Von Schulenburg (German ambassador to Moscow, who became later a leading figure of anti-Hitler failed coup) and Ribbentrop. Stalin mistrusted equally both Churchill and Hitler and attributed all warning signals to England's efforts to drag Russia into war with Germany. Also Stalin didn't believe that Hitler would allow Wehrmacht to fight on two fronts. German double agents "Litseist" encouraged this false believe. The Germans succeeded in their sophisticated disinformation campaign, which coupled with Stalin's wishful thinking, led Russians to believe that Germany was not planning to invade Russia at least in the near future.
Gorodetsky points out that the idea of a preventive war was embedded in the German (from Frederick the Great to Moltke) rather than the Russian military tradition. "Barbarossa" plan was devised to quickly crash Russia in quick 10-week war and to free Hitler's hands to complete his "mastery of Europe". Then he would take care of England without any distractions from the "Soviet Empire". It looked like everything was working just wonderful for Nazi Germany until June 22, 1941 - the beginning of the German invasion to Russia (which by the way started suddenly without any declaration or ultimatum). But it turned out that the Germans seriously underrated the opponent and seriously miscalculated the amount of the effort they would need to crush Russia. Sure, the German might was incredible, but so was German overconfidence. Hitler's disparaging attitude towards Russian "vermin" makes ridiculous the theory of preemptive strike. Gorodetsky shows that this attitude was widespread in the West - Sir Winston Churchill himself was prone to disparaging attitude towards Stalin and the Red Army.
But just before his attack on Russia Hitler was beating Stalin at his own game. Stalin's failure to prepare for the German onslaught, which cost many Russian lives, was a result of his own self-deception and wishful thinking. Although Stalin was very wily, I feel that he lacked formal education to think abstractly and deal with issues like, for example, proverbial German concept of "Drang nach Osten" or draw analogies from history. Although as a Georgian, he was obsessed with history of the Black sea and repercussions of potential German capture of the Turkish Straits. 150 years earlier the Grand Army of Napoleon stood looking across the English Channel - but there was nowhere for it to go - except to Russia. It seems to me again in June 1941 the same gravitational force was pulling 200 idle German divisions to the endless Russian steppes. Where else would these "drunk with success" armies go?
I really liked the book. This scholarly and dry book was not an easy read. But the amount of information looked at is enormous and the quality of analysis is good. Also for the first time the reliance is not only on the German and British sources, but also on the declassified Russian archives. The book de-romanticizes many myths and accounts, including well-known Churchill's history of WWII, which is "persuasive but excessively self-centered and therefore occasionally misleading interpretation of events". I highly recommend this book to everybody interested in reading a non-Disney history of WWII.

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Saturday, 14 January 2012

[W485.Ebook] Free PDF Graphic Novels in Your School Library, by Jesse Karp, Rush Kress

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Graphic Novels in Your School Library, by Jesse Karp, Rush Kress

Many educators now agree that graphic novels inform as well as entertain, and to dismiss the educational potential of the graphic novel is to throw away a golden opportunity to reach out to young readers. This dynamic book takes a look at the term graphic novel, how the format has become entwined in our culture, and the ways in which graphic novels can be used in the library and in the classroom. To set those unfamiliar with the format at ease, graphic novel expert Karp

  • Introduces the history, the symbols, and the conventions of the form
  • Provides annotated lists of core titles to help K 12 librarians build their collections
  • Offers lesson plans that use graphic novels to impart facts and enliven discussion on everything from life skills and dating to history
A one-stop resource which keeps the school library firmly at center stage, this eye-opening book will change your view of graphic novels.

  • Sales Rank: #1764853 in Books
  • Published on: 2011-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .34" w x 8.50" l, .85 pounds
  • Binding: Paperback
  • 160 pages

Review
Manhattan school librarian Jesse Karp has been a pioneering librarian with the graphic novel format. Readers ... will be well served by Karp s smart, accessible, and comprehensive guidebook. --NoveList

About the Author
For more than 10 years, Jesse Karp has been a school librarian at LREI (Little Red School House and Elisabeth Irwin High School), one of Manhattan s oldest independent schools and a long-standing leader in progressive education. He works with students across the curriculum, from beginning readers to high school students, with all kinds of material, including graphic novels. He regularly reviews graphic novels and picture books for Booklist and contributes to the magazine s yearly graphic novel best list roundup, as well as having written articles for Book Links and American Libraries. He has delivered seminars on the sequential art form at Pratt Institute and Queens College and teaches a graduate course about the history and analysis of the form at Pratt. He has served as a graphic novel panelist at Book Expo America for two years running and served on YALSA s Great Graphic Novels for Teens committee from 2009 to 2012. He co-created the education webcomic Dr. Lollipop and is the author of the young adult novel Those That Wake, which is set in Manhattan, where he lives with his wife and two daughters.

Rush Kress graduated from the illustrious Joe Kubert School of Cartoon and Graphic Illustration in 1999. He has produced corporate comics for Derivatives Strategy magazine, cocreated the education webcomic Dr. Lollipop, and produced assorted covers for Early Music America magazine. He lives and works in New York City.

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1 of 1 people found the following review helpful.
Thorough and engaging
By Rosemary Weiland
This is a terrific tool for educating yourself and others about the wide world of graphic novels (aka comic books). Meant for school libraries (obviously) and classrooms, it is nonetheless a great walk through the history and importance of the form.

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Sunday, 8 January 2012

[S177.Ebook] Download Ebook The Great Terror: A Reassessment, by Robert Conquest

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The Great Terror: A Reassessment, by Robert Conquest

The definitive work on Stalin's purges, Robert Conquest's The Great Terror was universally acclaimed when it first appeared in 1968. Edmund Wilson hailed it as "the only scrupulous, non-partisan, and adequate book on the subject." George F. Kennan, writing in The New York Times Book Review, noted that "one comes away filled with a sense of the relevance and immediacy of old questions." And Harrison Salisbury called it "brilliant...not only an odyssey of madness, tragedy, and sadism, but a work of scholarship and literary craftsmanship." And in recent years it has received equally high praise in the Soviet Union, where it is now considered the authority on the period, and has been serialized in Neva, one of their leading periodicals.
Of course, when Conquest wrote the original volume two decades ago, he relied heavily on unofficial sources. Now, with the advent of glasnost, an avalanche of new material is available, and Conquest has mined this enormous cache to write a substantially new edition of his classic work. It is remarkable how many of Conquest's most disturbing conclusions have born up under the light of fresh evidence. But Conquest has added enormously to the detail, including hitherto secret information on the three great "Moscow Trials," on the fate of the executed generals, on the methods of obtaining confessions, on the purge of writers and other members of the intelligentsia, on life in the labor camps, and many other key matters.
Both a leading Sovietologist and a highly respected poet, Conquest here blends profound research with evocative prose, providing not only an authoritative account of Stalin's purges, but also a compelling and eloquent chronicle of one of this century's most tragic events. A timely revision of a book long out of print, this updated version of Conquest's classic work will interest both readers of the earlier volume and an entirely new generation of readers for whom it has not been readily available.

  • Sales Rank: #634247 in Books
  • Published on: 1990-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.80" w x 6.50" l,
  • Binding: Hardcover
  • 584 pages

From Library Journal
Upon its publication in 1968, Conquest's The Great Terror: Stalin's Purge of the Thirties ( LJ 12/1/68) received wide acclaim for its broad, well-documented portrayal of the death of millions in Stalin's peacetime consolidation of power. A generation later, the collection of samizdat literature and the openness of glasnost have permitted access to better information, thereby allowing a reassessment of the study. Conquest's review largely confirms the original work. In the new edition more recent documentation is incorporated and some portions are revised based upon new data. However, the substance of the text is much the same. Outdated appendixes have been removed. This remains an essential source, and any library without it should buy it. Larger collections will want the revision.
- Rena Fowler, Northern Michigan Univ. Lib., Marquette
Copyright 1990 Reed Business Information, Inc.

Review

"Anthony Powell once wrote of Robert Conquest that he had a 'capacity for taking enormous pains in relation to any enterprise in hand.' It is beyond dispute that, forty years after the publication of The Great Terror, this judgment requires no reassessment." --Michael Weiss, The New Criterion




I happened to mention to a few colleagues the other day that I was reading Robert Conquest's "The Great Terror". This drew blank looks. I amplified somewhat, referencing Stalin, Yeshov, Molotov. More blank looks. I grew up in a cold war household. My father was a something of a rarity, he was a right wing journalist who travelled widely in Russia bringing back a story which, in the 60s and 70s, was largely ignored by the media and everyone else. He knew then what we all know now, that Russian communism was rotten to the core and was a house of cards teetering on abject collapse. Alas, but that house took decades to come down and so condemned a further generation or two to lives of quiet and unrelieved desperation and hopelessness. What does our society know of this? A society that, in the case of America, can be convulsed with paroxysms of despair when a few thousand people died in a single tragic incident -- genuinely convinced that something without precedent has happened. The most common formulation we hear of this, is the common reference to September 11th as "the day our world changed". For heaven's sake -- there is now a Jenny Craig television advertisement in which a formerly fat person testifies that September 11th changed her world such that she decided to lose wait. Ye Gods. But what exactly is it that changed? History, as my high school history teacher used to say, tailgates. Conquest tells us that Stalin and Molotov, during a "typical day at the office", would sign liquidation orders for THOUSANDS of innocent people by simply putting their signatures together with the word "liquidate" at the bottom of a sheaf of papers that contained the names. And then they would head for the cinema, a solid day's work done. All that appears to have changed is that moderns have forgotten the nightmares of yesterday. Each fresh outrage is treated as something unique, something personal, something without precedent. "The Great Terror" is an effective antidote to this type of thinking. "The Great Terror" is a book that was available in the late sixties. It was, like my father, largely ignored. I had school chums who were Marxists. Teachers as well. They either denied the facts or more often, accepted what had happened on the principle that it was necessary to "break a few eggs to make an omelette". And so the regime which was to be responsible for murdering tens of millions of its own citizens, on a scale and in a cold blooded manner that rivals and even surpasses the more famous Hitlerian Holocaust, is ignored or forgotten. In 1990, communism collapsed. My father, am embittered old cold warrior by then, took little pleasure from having been proven right. Conquest, however, took the opportunity to revise and expand his monumental book. Virtually everything he had written about was confirmed by the glasnost revelations - as he takes pains to demonstrate. It is true that many of those who died in the execution cellars or the death camps deserved their fate. But the vast majority were innocent wives children, peasants teachers workers and writers. It is estimated that "every other family in the USSR had one of its members in jail". Stalin's purges gave rise to the unthinkable. A slave labour economy. Want to know why they beat us to space or how they got the Bomb so quickly? Well, among other things, they stole virtually all of our secrets and the had slave labour. On the theft of the West's secrets another must read is David Holloway's "Stalin and the Bomb: The Soviet Union and Atomic Energy 1939-1956". Conquest writes quite well - he is also an accomplished poet. But the book is also something of a catalogue of horrors and he writes in what is at times a dismayingly dispassionate manner. He is somewhat relentless. --By Graham Henderson -

Reading The Great Terror is an awakening awareness of mind-boggling inhumanity. To say that in the 1930s Stalin snuffed out twenty million of his citizens hardly begins to describe the essential evil of his rule, which caused indescribable suffering for countless millions more. It's easily forgotten that the October 1917 coup by which the Bolshevik intellegentsia came to power lacked popular support and by 1921 had lost any semblance of representing the proletariat. From its inception, the party of Lenin and Trotsky embraced deceit, violence, and willingness to sacrifice others as a means to power, bringing Hitler later to say that unlike Social Democrats "he could always turn a Communist into a Nazi." Stalin merely took the context of intolerance to its logical extreme, plotting the decimation of his opposition into ever smaller groups, assisted by the very ones that would themselves successively be destroyed by it: Trotskyites, then Rightists, Bukharinites, Zinovievites, and finally the Stalinists themselves. The 1937 Plenum already marked the complete transformation into autocracy. Key to Stalin's success were his patience and that he never revealed (or tested) the limits of his ruthlessness. Rivals continually underestimated him: Trotskyites supported the disastrous 1930 agricultural collectivisation, miscalculating that he wouldn't dare another repression and the peasants would revolt-- but Stalin did impose an even worse famine two years later, starving an unimaginable 10 million Russians and Ukrainians. Supporters and opponents alike never held him personally responsible: even the Terror itself was called the Yezhovschina. Victims could be persuaded that the Terror was in the interest of Communism not Stalin, and it is to this day unknown whether Stalin himself believed it. His capriciousness and promises of leniency induced even high officials to produce confessions and denunciations, hoping that perhaps one more obscenity committed in his service might restore them to favour. At first, at least an actual crime and the formality of a show trial were needed. The fringe benefit of Stalin's assassination of Kirov was that other opponents could be executed for it. Convictions relied solely on confessions that were rather blatantly inconsistent and sometimes bizarre. Though brave individuals sometimes recanted at trial, they fell back into line after a short 'recess'. The rare evidence introduced that was actually verifiable was knowingly false: for example, the Copenhagen Hotel Bristol where Sedov had allegedly met had actually been demolished at the time. But full show trials were a luxury reserved for the Party elite. One court report simply read: "No prosecutor. No witnesses. No co-accused. No defender." The crimes themselves were soon completely fatuous. Article 58 of the Criminal Code outlawed "flight abroad," "lack of faith in the Socialist state," and fascinatingly "suspicion of espionage." Insufficient loyalty to Stalin was fatal. Workers or managers who failed to meet their quotas were convicted of sabotage, as indeed were NKVD investigators for failing to meet their 'arrest quotas'. Doctors were convicted for assassinating Gorky by smoke from bonfires, Jews for spying for Nazi Germany, and clergy for praying. Purges soon reached to the citizenry, and the mere misfortune of being denounced practically guaranteed guilt. Confessions were wrought by horrible torture. Wives and children of accused were held hostage and often shared their fate. Children under the age of 17 were despatched to NKVD settlements. Overflowing cells built for twelve held a hundred, so that prisoners had to pack down sideways like sardines-- and only in shifts. Most could not withstand round-the-clock beatings for more than a few months and succum --By Ben Hekster

About the Author

About the Author:
Robert Conquest is Senior Research Fellow at the Hoover Institution, Stanford University. He is also the author of The Harvest of Sorrow, Stalin and the Kirov Murder, and numerous other books.

Most helpful customer reviews

239 of 262 people found the following review helpful.
"Plus ca change plus la meme chose"
By Graham Henderson
I happened to mention to a few colleagues the other day that I was reading Robert Conquest's "The Great Terror". This drew blank looks. I amplified somewhat, referencing Stalin, Yeshov, Molotov. More blank looks.
I grew up in a cold war household. My father was a something of a rarity, he was a right wing journalist who travelled widely in Russia bringing back a story which, in the 60s and 70s, was largely ignored by the media and everyone else. He knew then what we all know now, that Russian communism was rotten to the core and was a house of cards teetering on abject collapse. Alas, but that house took decades to come down and so condemned a further generation or two to lives of quiet and unrelieved desperation and hopelessness.
What does our society know of this? A society that, in the case of America, can be convulsed with paroxysms of despair when a few thousand people died in a single tragic incident -- genuinely convinced that something without precedent has happened. The most common formulation we hear of this, is the common reference to September 11th as "the day our world changed". For heaven's sake -- there is now a Jenny Craig television advertisement in which a formerly fat person testifies that September 11th changed her world such that she decided to lose wait. Ye Gods.
But what exactly is it that changed? History, as my high school history teacher used to say, tailgates. Conquest tells us that Stalin and Molotov, during a "typical day at the office", would sign liquidation orders for THOUSANDS of innocent people by simply putting their signatures together with the word "liquidate" at the bottom of a sheaf of papers that contained the names. And then they would head for the cinema, a solid day's work done. All that appears to have changed is that moderns have forgotten the nightmares of yesterday. Each fresh outrage is treated as something unique, something personal, something without precedent. "The Great Terror" is an effective antidote to this type of thinking.
"The Great Terror" is a book that was available in the late sixties. It was, like my father, largely ignored. I had school chums who were Marxists. Teachers as well. They either denied the facts or more often, accepted what had happened on the principle that it was necessary to "break a few eggs to make an omelette". And so the regime which was to be responsible for murdering tens of millions of its own citizens, on a scale and in a cold blooded manner that rivals and even surpasses the more famous Hitlerian Holocaust, is ignored or forgotten.
In 1990, communism collapsed. My father, am embittered old cold warrior by then, took little pleasure from having been proven right. Conquest, however, took the opportunity to revise and expand his monumental book. Virtually everything he had written about was confirmed by the glasnost revelations - as he takes pains to demonstrate.
It is true that many of those who died in the execution cellars or the death camps deserved their fate. But the vast majority were innocent wives children, peasants teachers workers and writers. It is estimated that "every other family in the USSR had one of its members in jail". Stalin's purges gave rise to the unthinkable. A slave labour economy. Want to know why they beat us to space or how they got the Bomb so quickly? Well, among other things, they stole virtually all of our secrets and the had slave labour. On the theft of the West's secrets another must read is David Holloway's "Stalin and the Bomb: The Soviet Union and Atomic Energy 1939-1956".
Conquest writes quite well - he is also an accomplished poet. But the book is also something of a catalogue of horrors and he writes in what is at times a dismayingly dispassionate manner. He is somewhat relentless. As fact piles upon fact, outrage upon outrage we are led to say with each turn of the page, "Dear God in heaven, what fresh hell is this". But the horror is NOT lost on Conquest and he stands, almost alone, as our witness to those terrible times. If not in the pages of this book, then where will we learn the names of those who perished so many years ago. Virtually no one under the age of 40 really understands what went on.
Conquest's book needs to be read by all of us. And in particular those who think that the suicide attack on the WTC was something new; an event that "changed our world". Because it wasn't. ...

128 of 140 people found the following review helpful.
Never Mind, They'll Swallow It
By Ben Hekster
Reading The Great Terror is an awakening awareness of mind-boggling inhumanity. To say that in the 1930s Stalin snuffed out twenty million of his citizens hardly begins to describe the essential evil of his rule, which caused indescribable suffering for countless millions more, not to mention plunged the world into war for decades.

It's easily forgotten that the October 1917 coup by which the Bolshevik intellegentsia came to power lacked popular support and by 1921 had lost any semblance of representing the proletariat. From its inception, the party of Lenin and Trotsky embraced deceit, violence, and willingness to sacrifice others as a means to power, bringing Hitler later to say that unlike Social Democrats "he could always turn a Communist into a Nazi." Stalin merely took the context of intolerance to its logical extreme, plotting the decimation of his opposition into ever smaller groups, assisted by the very ones that would themselves successively be destroyed by it: Trotskyites, then Rightists, Bukharinites, Zinovievites, and finally the Stalinists themselves. The 1937 Plenum already marked the complete transformation into autocracy.

Key to Stalin's success were his patience and that he never revealed (or tested) the limits of his ruthlessness. Rivals continually underestimated him: Trotskyites supported the disastrous 1930 agricultural collectivisation, miscalculating that he wouldn't dare another repression and the peasants would revolt-- but Stalin did impose an even worse famine two years later, starving an unimaginable 10 million Russians and Ukrainians. Supporters and opponents alike never held him personally responsible: even the Terror itself was called the Yezhovschina. Victims could be persuaded that the Terror was in the interest of Communism not Stalin, and it is to this day unknown whether Stalin himself believed it. His capriciousness and promises of leniency induced even high officials to produce confessions and denunciations, hoping that perhaps one more obscenity committed in his service might restore them to favour.

At first, at least an actual crime and the formality of a show trial were needed. The fringe benefit of Stalin's assassination of Kirov was that other opponents could be executed for it. Convictions relied solely on confessions that were rather blatantly inconsistent and sometimes bizarre. Though brave individuals sometimes recanted at trial, they fell back into line after a short 'recess'. The rare evidence introduced that was actually verifiable was knowingly false: for example, the Copenhagen Hotel Bristol where Sedov had allegedly met had actually been demolished at the time. But full show trials were a luxury reserved for the Party elite. One court report simply read: "No prosecutor. No witnesses. No co-accused. No defender."

The crimes themselves were soon completely fatuous. Article 58 of the Criminal Code outlawed "flight abroad," "lack of faith in the Socialist state," and fascinatingly "suspicion of espionage." Insufficient loyalty to Stalin was fatal. Workers or managers who failed to meet their quotas were convicted of sabotage, as indeed were NKVD investigators for failing to meet their 'arrest quotas'. Doctors were convicted for assassinating Gorky by smoke from bonfires, Jews for spying for Nazi Germany, and clergy for praying. Purges soon reached to the citizenry, and the mere misfortune of being denounced practically guaranteed guilt.
Confessions were wrought by horrible torture. Wives and children of accused were held hostage and often shared their fate. Children under the age of 17 were despatched to NKVD settlements. Overflowing cells built for twelve held a hundred, so that prisoners had to pack down sideways like sardines-- and only in shifts. Most could not withstand round-the-clock beatings for more than a few months and succumbed, although a few exceptional individuals held out.

The horror of the gulag is beyond comprehension. Camps were brutal, soul-destroying, ruled on behalf of guards by hard-core criminals. The journey to the camps was deadly and could last months. Outside work was compulsory until temperatures dropped below -50 *C. Inmates were starved and savaged by epidemics. Perhaps the best thing about them was that one would not be expected to survive more than two years. In Kolymev only three out of every hundred survived. From Novaya Zembla, nobody returned at all.

It's unknown whether the Purges stopped because the courts were overstretched or because the geometric rate of denunciations would soon have implicated the entire population. Fully 5% of the population had been arrested, while 7 million people languished in camps. Of the original partisans and Bolsheviks no-one at all remained. The Terror machinery nonetheless continued at a more controlled pitch, and the gulag population would grow to 12 million at Stalin's death in 1953. Soviet science, technology, and the military were robbed of their best people. The cumulative psychological effect of the Terror nightmare on generations of Soviets is unimaginable.

Unfortunately, the West generally left these citizens to their fate. Driven by Communist idealism, foreign correspondents ignored, glossed over, or simply flat-out lied about the show trials. Jean-Paul Sartre and other intellectuals still denied the existence of the gulag long after its evidence was undeniable. A French literary journal called Victor Kravchenko's account of the camps a lie. The New York Times' Walter Duranty received a Pulitzer prize for his Stalin apologia.

The Left never let facts get in the way of an attractive ideology, and never understood that "not even high intelligence and a sensitive spirit are of any help once the facts of a situation are deduced from a political theory, rather than vice versa." That neither Stalin, nor his ideology, have ever been fully held accountable is maddening and a disgrace to the memory of his victims.

50 of 54 people found the following review helpful.
A shocking and compelling testament
By A Customer
Written by one of the world's leading Sovietologists, this is a shocking documentation of Stalin's atrocities. As one who has studied and taught professionally in the area, I stand in awe of Professor Conquest's scholarship.

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Sunday, 1 January 2012

[R108.Ebook] Free PDF The Carpet People, by Terry Pratchett

Free PDF The Carpet People, by Terry Pratchett

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The Carpet People, by Terry Pratchett

The Carpet People, by Terry Pratchett



The Carpet People, by Terry Pratchett

Free PDF The Carpet People, by Terry Pratchett

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The Carpet People, by Terry Pratchett

In the beginning, there was nothing but endless flatness. Then came the Carpet.... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples, and there's a new story in the making: the story of Fray, sweeping a trail of destruction across the Carpet. The story of power-hungry mouls - and of two Munrung brothers, who set out on an adventure to end all adventures when their village is flattened.

It's a story that will come to a terrible end - if someone doesn't do something about it. If everyone doesn't do something about it.

A hilarious fantasy, co-written by Terry Pratchett, aged 17, and master storyteller Terry Pratchett, aged 43.

  • Sales Rank: #74495 in Audible
  • Published on: 2011-01-20
  • Format: Unabridged
  • Original language: English
  • Running time: 278 minutes

Most helpful customer reviews

38 of 38 people found the following review helpful.
Wonderful, Wonderful, WONDERFUL!
By A Customer
At the timid age of 17, Terry Pratchett wrote a fantasy novel called The Carpet People, and it was published, just in case you haven't been blown away by this already, let me tell you that this is a Very Impressive Accomplishment. In his own words, it sold a bit, and then went out of print, and years later, when people started being impressed by the quality of Pratchett's work instead of by the simple fact that he was being published, they started asking for it. Mr. Pratchett took the book down from wherever he had kept it, and said (I'm quoting this incorrectly) "Wait a minute, I wrote this book when I thought fantasy was about kings and battles, now I think fantasy should be about how not to have kings and battles." So he rewrote the book, and it's been published/reissued.

Plainly speaking, this book is about a bunch of infintesimally small people who live on a carpet, whole societies have evolved, empires have risen and fallen, the most ordinary objects, dropped onto the carpet and forgotten there become magical lands, homes and sources of industry to the molecullar inhabitants of The Carpet. This is the story of Snibril, one of the Munrungs (or in their language The Real Human Beings) and how he and his tribe join the Doomi empire to fight the Moules (or in their language The Real Human Beings) who live in the deepest recesses of the Carpet. It is impossible to describe how TRUE Pratchett's idea's are about war and about making your own choices. If I were a better writer, I could describe how happy this book made me, how magnificent it is. But as I am not, you're just going to have to take my word for it, or read the book.

13 of 13 people found the following review helpful.
A look at Pratchett's Early Work
By Shanshad
Many readers are familiar with Terry Pratchett's Discworld series and its delicious range of unforgettable characters, satirical creations and dialogue and thought-provoking themes. Less known are his earlier works, including The Carpet People, which Pratchett first wrote as a teenager and had published, then went back to years later and rewrote the book to reflect his change in viewpoint.
The Carpet People feels more like a children's, or young adult story, although if it can be found, it will often be placed with Pratchett's Discworld titles in the fantasy section. The story is a delightful bit of imagination, entire societies coexisting within the world of the Carpet. These tiny creatures go about adventure on the epic scale, with Pratchett's typical ironic observations and humorous interpretations. Our hero, Snibril has to set out on a quest to save a kingdom from enemies and to stop the destruction of a force known only as The Fray.
This is not one of Pratchett's most seamless works by a long shot. I don't think he intended it to be. A lot of the themes and world-building elements he puts into practice for this work are later fulfilled with much more skill and elegance in his Discworld novels and Bromeliad trilogy. For any Pratchett fan, this book is a delight simply from its standpoint in the evolution of Pratchett's writing.
I gave this book four stars because I do not feel it is Pratchett's best work. It shouldn't be, this story was one of his earliest. This is a wonderful way to introduce younger readers to Pratchett, along with his Bromeliad trilogy. If you are discovering Terry Pratchett with this book, be aware that his writing only gets better from here! ^_^

9 of 9 people found the following review helpful.
Down among the warp and woof
By Stephen A. Haines
The story behind this story is nearly the best story of all: "This book had two authors, one aged seventeen, one aged forty-three. Both of them were Terry Pratchett." Having penned this tale and had it lapse into obscurity, Pratchett is impelled by his editors to revive it years later. Rightly so. For the dedicated PTerry fan, this example of his early writing is an illuminating read. Many views expressed in the Discworld books are readily perceived here. For someone new to Pratchett, it's a great introduction to the scope of his ideas and his writing skills. For any reader, it's simply a delight to enjoy.

The story is a fine example of Pratchett's ability to view the world from a fresh perspective. If there's a fantasy novel lacking a dark forest and mysterious creatures, i've missed it. Pratchett, never a formula writer, simply shrinks the scope. His forested world is a thickly napped rug. Instead of pines or oaks, it's nylon and wool "hairs". The creatures are there, the snargs, the hymetors and others - including silverfish, who live under the world. There are also people - the Munrungs, the Deftmenes and - the Dumii. They interact, sometimes violently. Deep down in the pile, these people and their communities are invisible to humans. Something, however, sends terror through the forest peoples - Fray. This immensely destructive force topples cities and obliterates villages.

Pratchett builds a story of the conflict of respected traditions countered by innovation and invention. There is an Empire, to which taxes are due. That means clerks, organisation, regulations. While the Munrungs have always met the demands for revenue, others have opposed the imposition, hence, the Empire. Could two such peoples find a common cause? It seems unlikely, but the best way to unite two dissimilar tribes is having a common enemy.

Except for the conflict of good and evil, this story avoids formula approaches to fantasy. There are many characters, all of them reflected by people around us. Snibril, a Munrung, stands out but a little from the rest. One of his attributes is that he suffers sinus trouble. This isn't normally a heroic virtue, but it proves valuable here. There's also a philosopher. Everybody thinks to some extent. Philosophers are typified by telling about it in an interesting way. This description, of course, fits Pratchett admirably. [stephen a. haines - Ottawa, Canada]

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