Download PDF Sigmund Ringeck's Knightly Art of the Longsword, by David Lindholm, Peter Svard
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Sigmund Ringeck's Knightly Art of the Longsword, by David Lindholm, Peter Svard
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Ringeck's invaluable 15th-century compilation of the lessons of German fencing master Johannes Liechtenauer is given new life by two modern students of the sword. The original text is presented with extensive interpretations and detailed, instructive drawings to capture the medieval swordsman's art.
- Sales Rank: #483029 in Books
- Published on: 2008-12-01
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .60" w x 8.30" l, 1.45 pounds
- Binding: Paperback
- 248 pages
About the Author
David Lindholm has an MA in medieval archaeology and history from the University of Lund and works as a writer and archaeologist. He has been training in European swordsmanship since 1986 and has some experience in Western fencing, iaido and kenjutsu. He is a member of ARMA (the Association for Renaissance Martial Arts) and directs the ARMA study group in Malmo.
Peter Svard is an art director and illustrator for a Swedish Internet consultancy firm. He has been active in various medieval/fantasy societies since the late 1980s, training with swords on and off for many years.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Outstanding work that could have been better.
By L. Comerford
I am a forty-eight year student of Asian martial arts, with Cheng Man-Ching's T'ai Chi at the center of the last forty-five years of study. I became interested in the Western Martial Arts movement in general and the longsword in particular after seeing some of the ARMA videos on Youtube and reading some of the online articles. This is the first book on the subject I've purchased. I'm working my way through it at a slow pace for two reasons: the material reveals fundamental principles of martial art in a new context and with a new perspective (a good thing), and the content of the drawings and their relationship to the text are difficult to understand (not a good thing). Not impossible, just not quite clear. Despite this unnecessary difficulty I rate the book five stars. The content is worth the effort needed to extract it. This is not to fault the authors too strongly. Making dynamic interactions clear with static images has never been easy. I'd like to suggest that two changes could relieve this problem: 1. Label the combatants so the attacker, the starting guards and the form of attack are clear. 2. Reduce the size of the figures so more intermediate states could be shown. The latter change would compensate for the visual ambiguity of the arrows the illustrator used to show the sword path, and possibly give a clearer indication of the timing used. The latter change would make "Indes" and the mechanics and timing of changing your actions from "Nach" to "Vor" clearer.
Despite its shortcomings I expect this book to play a continuing role in my practice and I recommend it.
3 of 3 people found the following review helpful.
and like many in the early days
By Drew Schulz
This is a perfectly acceptable book, as long as you just read the translation of Ringeck. The interpretations provided by the modern authors are dated, since this book is more than a decade old, and modern HEMA was only just getting started. Their concept of footwrk was clearly not based on high-speed testing of the techniques, and like many in the early days, they seem memorized by the sheer lethality of the longsword, going on about it at length. Buy this book for the translation, and skip everything else. Especially John Clement's introduction, and any other part where the "blocking with the flat" is mentioned.
1 of 1 people found the following review helpful.
Well researched, common-sense approach
By A.Bodhi
It is difficult to resurrect something which has died and been long forgotten. Many try, some become lost in their own self importance, and a few, like the authors of this book, really engage a deeply introspective look into the martial practices of yore, without allowing their personal biases getting in the way of their assessments of historically documented artifacts.
What is offered within the pages of this manual is a clear-cut approach of how the structure of the long-sword is wielded in conjunction with an adversary hell-bent on the other's actual demise.
Objectively written, taking a scientific approach, steeped in a real understanding of the contextual nature of close-quarters-killing combat of that time frame, the authors and artists assemble a systematic means with which to inspect how Sigmund Ringeck thought this killing weapon could be optimized.
An easy to understand text followed with very well done drawings of the necessary actions and counter actions, the reader finds a manual from which learning can commence from the solid information presented.
This book is one of Paladin Press' gems, and I recommend this manual as an essential reference point when one wishes to delve into the realities of European medieval martial practices. I had previously owned the hardback edition, only to loan it out, never to see it again. I settled on purchasing a new paperback edition as I merely needed and wanted to replace this very important document to my library. I believe to be of great historical significance and a work of art, to boot.
A. Bodhi
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